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	<title>Minus 9 Design &#187; craft</title>
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	<description>Rathna Ramanathan</description>
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		<title>Short run, an illustrated talk</title>
		<link>http://www.m9design.com/texts-and-talks/lectures-and-talks/short-run-an-illustrated-talk</link>
		<comments>http://www.m9design.com/texts-and-talks/lectures-and-talks/short-run-an-illustrated-talk#comments</comments>
		<pubDate>Thu, 15 Jan 2009 17:26:29 +0000</pubDate>
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				<category><![CDATA[Lectures and talks]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[lectures]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[production]]></category>

		<guid isPermaLink="false">http://www.m9design.com/?p=377</guid>
		<description><![CDATA[&#8216;Short run&#8217;: experimental book design &#38; London&#8217;s little presses was a talk I gave to launch an exhibition of the same name at St Bride Library, London.

Slides from Short run, an illustrated talk
The talk focused on important aspects of little press publishing such as the publisher’s direct involvement in the design and production of their [...]]]></description>
			<content:encoded><![CDATA[<p id="__ss_2265783" style="width: 425px; text-align: left;">&#8216;Short run&#8217;: experimental book design &amp; London&#8217;s little presses was a talk I gave to launch an <a href="http://www.m9design.com/events/exhibitions/short-run" target="_blank">exhibition</a> of the same name at St Bride Library, London.</p>
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<p style="width: 425px; text-align: left;"><em>Slides from Short run, an illustrated talk</em></p>
<p style="width: 425px; text-align: left;">The talk focused on important aspects of little press publishing such as the publisher’s direct involvement in the design and production of their books. The design approach of a little press was largely dependent on the publisher’s available resources and connections that contributed to the unique identity of the imprints.</p>
<div style="width: 425px; text-align: left;">
<p>With these presses, production was an integral aspect of design, and design decisions were directly linked to available production processes and materials. Pursuing low-cost options, little press publishers were inventive in their methods of adding value to books by using coloured papers, alternative forms of lettering and experimental printing techniques.</p></div>
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		<title>Short run</title>
		<link>http://www.m9design.com/events/exhibitions/short-run</link>
		<comments>http://www.m9design.com/events/exhibitions/short-run#comments</comments>
		<pubDate>Thu, 15 Jan 2009 10:39:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[book design]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[mass production]]></category>
		<category><![CDATA[publishing]]></category>

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		<description><![CDATA[‘Short run’: experimental book design and London’s little presses was an exhibition I curated at St Bride Library, London. Based on my PhD (at the Department of Typography, University of Reading) the exhibition showcased the book design and production practices of five London-based little presses: Stuart Montgomery’s Fulcrum Press, Stefan and Franciszka Themerson’s Gaberbocchus Press, [...]]]></description>
			<content:encoded><![CDATA[<p>‘Short run’: experimental book design and London’s little presses was an exhibition I curated at St Bride Library, London. Based on my PhD (at the <a href="http://www.reading.ac.uk/typography/" target="_blank">Department of Typography, University of Reading</a>) the exhibition showcased the book design and production practices of five London-based little presses: Stuart Montgomery’s Fulcrum Press, Stefan and Franciszka Themerson’s <a href="http://www.gaberbocchus.nl/" target="_blank">Gaberbocchus Press</a>, Roy Lewis’s <a href="http://www.reading.ac.uk/special-collections/collections/sc-keepsake.aspx" target="_blank">Keepsake Press</a>, Asa Benveniste’s <a href="http://library.wustl.edu/units/spec/manuscripts/mlc/trigram/trigram.html" target="_blank">Trigram Press</a>, and Bob Cobbing’s Writers Forum.</p>
<p><img class="alignnone size-full wp-image-341" title="shortrunposter" src="http://www.m9design.com/wp-content/uploads/2009/10/shortrunposter.jpg" alt="shortrunposter" width="234" height="330" /></p>
<p>Each of the five little presses featured in this exhibition had a unique approach to publishing and was run in a distinct, individual manner based on the publisher’s personality and agenda. The exhibition showcased how this was reflected in the design and production of the books they published.</p>
<p>The exhibition featured a variety of rarely seen artefacts from private archives and collections. First editions, photographs, artwork, correspondence, layout sketches and illustrations allowed the viewer to gain a true understanding of the nature of book design and production of little presses in this post-WW2 period.</p>
<p><img class="alignnone size-full wp-image-340" title="shortrundetail" src="http://www.m9design.com/wp-content/uploads/2009/10/shortrundetail.jpg" alt="shortrundetail" width="330" height="330" /></p>
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		<title>6,000,000 impressions</title>
		<link>http://www.m9design.com/things/posters/6000000-impressions</link>
		<comments>http://www.m9design.com/things/posters/6000000-impressions#comments</comments>
		<pubDate>Thu, 10 Apr 2008 18:27:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Posters]]></category>
		<category><![CDATA[Chennai]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[poster]]></category>
		<category><![CDATA[production]]></category>

		<guid isPermaLink="false">http://www.m9design.com/?p=355</guid>
		<description><![CDATA[6,000,000 impressions: handcrafting the book experience is an exhibition showcasing the process and output of Tara Books, at St Bride Library London. One of the things that make Tara Books unique is their genre of books made entirely by hand.
The enterprise is a fascinating study of craft and mass production. Tens of thousands of titles [...]]]></description>
			<content:encoded><![CDATA[<p><em>6,000,000 impressions: handcrafting the book experience</em> is an exhibition showcasing the process and output of <a href="http://www.tarabooks.com" target="_blank">Tara Books,</a> at St Bride Library London. One of the things that make Tara Books unique is their genre of books made entirely by hand.<br />
The enterprise is a fascinating study of craft and mass production. Tens of thousands of titles created in a small workshop in Chennai, India by hand using silkscreen and letterpress and book binding craft techniques are shipped to various parts of the world &#8211; LA, Berlin, Moscow, London, Tokyo&#8230;. the list keeps growing.</p>
<p><img class="alignnone size-full wp-image-360" title="6000000A6" src="http://www.m9design.com/wp-content/uploads/2009/10/6000000A6.jpg" alt="6000000A6" width="234" height="330" /><br />
<em>A6 invitation</em></p>
<p>These are books that, as Gita Wolf, Tara&#8217;s publisher puts it, &#8216;refashion traditional artisanal skills into fine contemporary bookmaking&#8217;.</p>
<p>Designing the poster and flyer for the exhibition was fun. Keeping in mind the spirit of Tara&#8217;s initiative, the publicity material was entirely (and painstakingly) printed by hand in India on handmade paper. The peacock on the poster is an image by the Gond artist <a href="http://contemporary-tribal-folk-arts-india.blogspot.com/2006/09/ram-singh-urveti.html" target="_blank">Ram Singh Urveti</a> from the book <a href="http://www.amazon.co.uk/Night-Life-Trees-Bhajju-Shyam/dp/8186211926" target="_blank"><em>The Night Life of Trees</em></a>.</p>
<p><img class="alignnone size-full wp-image-359" title="6000000A3" src="http://www.m9design.com/wp-content/uploads/2009/10/6000000A3.jpg" alt="6000000A3" width="233" height="330" /><br />
<em>A3 poster</em></p>
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